Chapters in academic books

• With Maria Paula Diogo. "Será que a Hatsune Miku sonha com ovelhas eléctricas? Vocaloides, agentes inteligentes e pós-humanidade". In Antropoceno, Biopolítica e Pós-humano, eds. Atílio Butturi Junior, José Luís Câmara Leme & Davide Scarso, 231-278. Campinas, Brasil: Pontes Editores, 2021.

• With Ivo Louro. “Troubled Gardens: Nature-technoculture binary and the search for a Safe Operating Space in Hayao Miyazaki’s Mononoke Hime.” In Gardens and Human Agency in the Anthropocene, eds. Maria Paula Diogo, Ana Simões & Ana Duarte Rodrigues, 216-234. London: Routledge, 2019. ISBN: 978-0815346661

• “Imagens do mosh pit flutuante. Intervenções de Yoshitomo Nara sobre gravuras japonesas oitocentistas.” In Japão em movimento – cultura, espaço e outras territorialidades, eds. Marco Souza & Cecilia Noriko Saito. São Paulo, Brasil: Intermeios, 2020. ISBN: 978-6586255027

• “Beauty is in the eye of the 'produser': Virtual idol Hatsune Miku from software, to network, to stage.” In Post Screen: Intermittence + Interference, eds. Ana Moutinho, Ana Teresa Vicente, Helena Ferreira José Gomes Pinto & Judite Primo, 117-128. Lisboa: Edições Universitárias Lusófonas, CIEBA-FBAUL, 2016. ISBN: 978-989-8771-56-8

• “The Screen Turns You On: Lust for hyperflatness in Japanese ‘girl games’.” In Post Screen: Device, Medium and Concept, eds. Ana Vicente & Helena Ferreira, 238-248. Lisboa: CIEBA-FBAUL, 2014. ISBN: 978-989-8771-10-0

• “Painting Superflat: post-painterly figuration, commodity-life and spectral return in Japanese contemporary painting.” In And Painting? A pintura contemporânea em questão, ed. Isabel Sabino, 238-246. Lisboa: CIEBA-FBAUL, 2014. ISBN: 978-989-8771-09-4

• “Moe-kei. Notas sobre o conceito de moe como sistema compositivo na cultura cute japonesa.” Com Ou Sem Tintas: Composição, Ainda?, ed. Isabel Sabino, 299-329. Lisboa: CIEBA-FBAUL, 2013. ISBN: 978-989-8300-54-6

Articles in international peer-reviewed academic journals

• Simões, A., Sousa, A.M. Enhancing Science Education Through Visual Art and Complex Storytelling Using the Book “Einstein, Eddington, and the Eclipse: Travel Impressions”. Science & Education (2024). https://doi.org/10.1007/s11191-024-00499-y

• Paiva, D., Carvalho, L., Brito-Henriques, E., Sousa, A. M., Soares, A. L., & Azambuja, S. T. (2023). Digital storytelling and hopeful last chance tourism experiences. Tourism Geographies, 25(5), 1428–1444. https://doi.org/10.1080/14616688.2023.2224043

• “Just a Cute Vibe. Producing a ‘weeb-wave’ in 2010s music videos”. In Mechademia: Second Arc ‘New Formulations of the Otaku’, vol. 14, no. 2 (spring 2022), ed. Susan Napier, Frenchy Lunning & Sandra Annett. Minneapolis: University of Minnesota Press.

• “She’s Not Your Waifu; She’s an Eldritch Abomination: Saya no Uta and queer antisociality in Japanese visual novels”. In Mechademia: Second Arc ‘Queer(ing)’, vol. 13, no. 1 (fall 2020), ed. James Welker, Frenchy Lunning & Sandra Annett, 72-100. Minneapolis: University of Minnesota Press, 2020. ISBN: 978-1517911300 ; URL: https://doi.org/10.5749/mech.13.1.0072

• “Gaijin Mangaka: The boundary-violating impulse of Japanized ‘art comics’”. Mutual Images, vol. 7 (December 2019), 3-26. ISSN: 2496-1868 ; URL: http://www.mutualimages-journal.org/index.php/mi/article/view/Vol7-2.

• “Against teleology: Nostalgia and the vicissitudes of connectedness in Pharrell Williams’ It Girl music video”. In Mechademia: Second Arc ‘Childhood’, vol. 11, no. 1 (fall 2019), ed. Frenchy Lunning & Sandra Annett, 147-165. Minneapolis: University of Minnesota Press, 2018. ISBN: 978-1517906351 ; URL: https://doi.org/10.5749/mech.11.1.0147

Articles in peer-reviewed CONFERENCE PROCEEDINGS

• “Of Sparkle-vomit and Base Materialism: Field Notes on Blingee GIFs.” Proceedings of the international conference xCoAx 2021 – 9th Conference on Computation, Communication, Aesthetics & X, 2021.

Articles in Portuguese peer-reviewed academic journals

• “Somos Todos Poppy. O homo interneticus segundo Poppy e Titanic Sinclair”. Revista CROMA, Estudos Artísticos, vol. 11 (Jan-Jun), 28-39. CIEBA-FBAUL, 2018. ISSN: 2182-8547 ; URL: http://croma.fba.ul.pt/C_v6_iss11.pdf

• “Porque sou imperfeita. THE END, a ópera VOCALOID ‘sem’ humanos”. Revista CROMA, Estudos Artísticos, vol. 5, n. 9 (Jan-Jul), 100-111. CIEBA-FBAUL, 2017. ISSN: 2182-8547 ; URL: http://repositorio.ul.pt/bitstream/10451/29437/2/ULFBA_C_v5_iss9_p98-114.pdf

• “It Girl. O problema lolicon no videoclipe de Mr. para Pharrell Williams”. Revista: Estúdio, vol. 7, no. 15 (Jul-Sep), 100-111. CIEBA-FBAUL, 2016. ISSN: 1647-6158 ; URL: http://repositorio.ul.pt/bitstream/10451/23701/2/ULFBA_PER_estudio15_p100-111.pdf

• “Revolução das Flores. Uma introdução ao Grupo do Ano 24 na vanguarda do shoujo manga”. Revista: Estúdio, vol. 6, no. 11 (Jan-Jun), 135-148. CIEBA-FBAUL, 2015. ISSN: 1647-6158 ; URL: http://www.scielo.mec.pt/pdf/est/v6n11/v6n11a14.pdf

• “A Colaboração Massiva de Hatsune Miku. Software Vocaloid como catalisador de criações colectivas, grassroots e multidisciplinares na subcultura otaku”. Revista CROMA, Estudos Artísticos, Vol. 2, no. 3, 121-137. CIEBA-FBAUL, 2014. ISSN: 2182-8547 ; URL: http://repositorio.ul.pt/bitstream/10451/12237/2/ULFBA_PER_CROMA_N3_ANA%20MATILDE%20DE%20SOUSA.pdf

• “Imagens do mosh pit flutuante. Intervenções de Yoshitomo Nara sobre gravuras japonesas oitocentistas”. Arte Teoria, no. 16-17, 63-74. CIEBA-FBAUL, 2014. ISSN 1646-396X ; URL: http://repositorio.ul.pt/bitstream/10451/18355/2/ULFBA_ArteTeoria16-17_AnaMatildeSousa.pdf

• “Miúdas do Pixiv. Jovens criadoras japonesas das comunidades artísticas online” Revista: Estúdio, vol. 4, no. 7 (janeiro-junho), 77- 91. CIEBA-FBAUL, 2013. ISSN: 1647-6158 ; URL: https://repositorio.ul.pt/handle/10451/8414

Texts in magazines & BLogs

• “COOL JAPAN: Aquecimentos e arrefecimentos da cultura pop japonesa num clima global.” In Leonorana 3: Climas, ed. Isabel Carvalho, 2019, 30-36.

• “Moé: Filhas, irmãzinhas, e a família além dos princípios “maternal” e “paternal” na BD e animação japonesas”. In Leonorana 2: Família, ed. Isabel Carvalho, 2018, 58-64.

• “Computadores Nojentos. Algumas considerações sobre a ‘digitalidade negra.” In Bestiário 1, Lisboa, 115-135.

• "Café e carne humana: Sobre as dietas 'hérbivora' e 'carnívora em Tokyo Ghoul"/"Coffee and human flesh: on the ‘herbivore’ and ‘carnivore’ diets in Tokyo Ghoul.” In Leonorana 1: Dietas /Diets, ed. Isabel Carvalho, 2017, 18-22.

• Com Joana Almeida, Joana Tomé, Marta Sicurella, Soraya Vasconcelos, & Silvia Sofia. "Mesa-redonda sobre pornografia, estética, ética e feminismos"/"Round table about pornography, aesthetics, ethics and feminisms”. In Propeller 1, ed. Sofia Silva. Lisboa: Stolen Books, 2017. ISBN: 978-989-99816-6-9.

• “Behind the Comics (21) – Hetamoé”. Kushkomikss, 22 August, 2016. URL: http://kushkomikss.blogspot.pt/2016/08/behind-comics-21-hetamoe.html

• “Namorado Absoluto”, “Boys Will Be Boys Will Be Chicks: Free! Iwatobi Swim Club ou o (improvável) fanservice feminista” & “A Dakimakura Flutuante”. In Maga: Colecção de Ensaios Sobre Banda Desenhada e Afins, ed. João Machado & Marcos Farrajota, 87-109. Lisboa: Chili Com Carne/Thisco and Clube do Inferno, 2015. ISBN: 392935/15

• “Não Deixarei Uma Mulher Ter-te! Um breve tour pelo mangá boys’ love e doujinshi, a partir de Jinrui Wa Suitaishimashita”. Bandas Desenhadas, 13 August, 2015. URL: http://bandasdesenhadas.com/2015/08/13/nao-deixarei-uma-mulher-ter-te-2/#comments

• "Yurikuma Arashi, ou a revolução segundo as ursas lésbicas (Parte 2)”. L’Obiéssance Est Morte, 21 July, 2015.

  URL: https://obeissancemorte.wordpress.com/2015/07/21/yurikuma-arashi-ou-a-revolucao-segundo-as-ursas-lesbicas-parte-2/

• "Yurikuma Arashi, ou a revolução segundo as ursas lésbicas (Parte 1)”. L’Obiéssance Est Morte, 14 July, 2015.

  URL: https://obeissancemorte.wordpress.com/2015/07/14/yurikuma-arashi-ou-a-revolucao-das-ursas-lesbicas-parte-1/

• “Boys Will Be Boys Will Be Girls: Free! Iwatobi Swim Club, ou o (improvável) fanservice feminista.” Mashnotes, 7 october, 2013.

  URL: http://www.mashnotes.pt/2013/10/boys-will-be-boys-will-be-chicks-free-iwatobi-swim-club-ou-o-improvavel-fan-service-feminista/

TALKS in conferences with refereeing

• With Maria Paula Diogo, Ana Simões, Ana Duarte Rodrigues, Anna Aberg, José Luís Câmara Leme, Davide Scarso, Agusti Nieto-Galan, Ivo Louro, Nina Wormbs, Johan Gärdebo e Tiago Saraiva. “Prometheus in the Garden of Eden: Gardens as Anthropogenic Object: Roundtable.” Paper presented at the conference SHOT [Society for the History of Technology] Annual Meeting 2021, online, 18-21 November, 2021.

• With Liliana Carvalho, Daniel Paiva e Eduardo Brito-Henriques. “Telling stories about endangered plants in a garden: creating last chance visitation experiences using maps and storytelling.” Paper presented at the conference 1st International Congress of Historic Botanical Gardens, Museu Nacional de História Natural e da Ciência, Lisboa, 11-12 Ocotober, 2021.

• “Of Sparkle-vomit and Base Materialism: Field Notes on Blingee GIFs.” Paper presented at the conference xCoAx 2021 – 9th Conference on Computation, Communication, Aesthetics & X, online, 12-16 July, 2021.

• “The Floating Dakimakura: Notes on a found photography.” Paper presented at the conference Mechademia Conference for Asian Popular Culture 2020: ‘Ecologies’, online, 5-6 June, 2021.

• With Ivo Louro. “The Inverted Forest: Chthonic ecopolitics in Miyazaki Hayao’s Nausicaä of the Valley of the Wind.” Paper presented at the conference Mechademia Conference for Asian Popular Culture 2020: ‘Ecologies’, online, 5-6 June, 2021.

• “Cheating at Manga: The abject aesthetics of Manga Maker Comipo! and its fan community”. Paper presented at the conference Bandes dessinées hors-champs /Comics on the Outside, Université libre de Bruxelles, Bruxels, Belgium, 2-4 June, 2021.

• “She’s Not Your Waifu, She’s an Eldritch Abomination: Saya no Uta and queer antisociality in Japanese visual novels.” Paper presented at the conference Mechademia Conference for Asian Popular Culture 2020: ‘Queering’, Minneapolis College of Art and Design, Minneapolis, EUA, 28 September, 2019.

• “Somos Todos Poppy: O homo interneticus segundo Poppy e Titanic Sinclair”. Paper presented at the conference IX Congresso Internacional CSO’2018–Criadores Sobre Outras Obras, Sociedade Nacional de Belas Artes, Lisboa, 23-28 March, 2018.

• With Ivo Louro. "Troubled Idylls: A comparative reading of pastoral tropes in Princess Mononoke and Avatar." Paper presented at the conference ECOCRITICISM 2018 - International Conference on Literature, Arts and Ecological Environment, Biblioteca Municipal Almeida Garrett, Porto, 14-16 Msrch, 2018.

• "Gaijin Mangaka’: The outsider insiderness of Japanized art comics creators." Paper presented at the conference Japan Pop Goes Global: Japanese Pop Culture on Aesthetics and Creativity, Aoyama Gakuin University, Tokyo, Japan, 25 November, 2017.

• “Living and Dying in the Anthrobscene: The Sexual and Environmental Perversions of Shin Sekai Yori.” Paper presented at the conference Mechademia Conference for Asian Popular Culture 2020: ‘‘Science Fictions’, Minneapolis College of Art and Design, Minneapolis, 22-24 September, 2017.

• With Ivo Louro. “Eboshi’s garden versus the Shishigami’s Forest: Nature-culture dichotomy and the search for a Safe Operating Space in Miyazaki Hayao’s Mononoke Hime.” Paper presented at the conference Mechademia Conference for Asian Popular Culture 2020: ‘‘Science Fictions’, Minneapolis College of Art and Design, Minneapolis, EUA, 22-24 September, 2017.

• “Porque sou imperfeita: THE END, a ópera VOCALOID ‘sem’ humanos”. Paper presented at the conference VIII Congresso Internacional CSO’2017–Criadores Sobre Outras Obras, FBAUL, Lisboa, 6-12 abril, 2017.

• “Beauty is in the eye of the ‘produser’: Virtual idol Hatsune Miku from software, to network, to stage.” Comunicação apresentada na conferência Post Screen Festival: International Festival of Art, New Media and Cybercultures, ULHT - Universidade Lusófona de Humanidades e Tecnologias, Lisboa, 17-18 November, 2016.

• With Ivo Louro. "Eboshi's garden Vs the Shishigami's forest: Nature-culture dichotomy and the search for a 'safe operating space' in Hayao Miyazaki’s Mononoke Hime.” Paper presented at the conference 43rd Meeting of the ICOHTEC, FLUP - Faculdade de Letras da Universidade do Porto, Porto, 30 July, 2016.

• “It Girl: O problema lolicon no videoclipe de Mr. para Pharrell Williams”. Paper presented at the conference VII Congresso Internacional CSO’2016–Criadores Sobre Outras Obras, FBAUL, Lisboa, 17-23 March, 2016.

• With Ivo Louro. “Eboshi's garden Vs the Shishigami's forest: Nature-culture dichotomy and the search for a 'safe operating space' in Hayao Miyazaki’s Mononoke Hime." Paper presented at the conference International Workshop Ars vs Natura. Gardens as topic and stage for discussion on the Anthropocene, FCUL – Faculdade de Ciências da Universidade de Lisboa, Lisboa, 14-15 janeiro, 2016.

• “Revolução das Flores: Uma introdução ao Grupo do Ano 24 na vanguarda do shoujo manga”. CPaper presented at the conference VI Congresso Internacional CSO’2015–Criadores Sobre Outras Obras, Lisboa, 27 March–1 April, 2015.

• “The Screen Turns You On: Lust for hyperflatness in Japanese ‘girl games’”. Paper presented at the conference Post Screen Festival: International Festival of Art, New Media and Cybercultures, FBAUL, Lisboa, 28-29 November, 2014.

• “Painting Superflat: post-painterly figuration, commodity-life and spectral return in Japanese contemporary painting.” Paper presented at the conference And Painting? Questioning Contemporary Painting, FBAUL, Lisboa, 11-13 May, 2014.

• “A Colaboração Massiva de Hatsune Miku: software VOCALOID como catalisador de criações colectivas, grassroots e multidisciplinares na subcultura otaku”. Paper presented at the conference V Congresso Internacional CSO’2014 - Criadores Sobre Outras Obras, FBAUL, Lisboa, 10-16 April, 2014.

• “The Japanese concept of kyara and the ‘total work of art’ in the otaku subculture: multimedia franchise, merchandise, fan labor.” Paper presented at the conference The Gesamtkunstwerk. A Concept for all Times and Places, FBAUL, Lisboa, 12-14 March, 2014.

• With Joana Tomé. “Provas de Contacto: Dispositivos Hápticos em Heart of Thomas, de Moto Hagio”. Paper presented at the conference 3CBDPT - 3ª Conferência de Banda Desenhada em Portugal, FLUL - Faculdade de Letras da Universide de Lisboa, 18 September, 2013.

• “Miúdas do Pixiv. Jovens criadoras japonesas das comunidades artísticas online”. Paper presented at the conference IV Congresso Internacional CSO’ 2013 - Criadores Sobre outras Obras, FBAUL, Lisboa, 21-28 March, 2013.

• “Moe e manga yonkoma: cuteness ‘estuplime’ na banda desenhada de 4 vinhetas japonesa”.Paper presented at the conference 2CBDPT - 2ª Conferência de Banda Desenhada em Portugal, Lisboa, 29 September, 2012.

OTHER TALKS

• With Ana Simões. "Travel Impressions: Einstein, Eddington and the Eclipse as graphic non-fiction". Talk presented at the Non-fiction Comics Webinar #1, online, 8 December, 2021, organized by Benoît Mitaine, Hugo Almeida e Ana Matilde Sousa]

• “Portumangá?! Notas sobre a ‘japonização’ na banda desenhada portuguesa”. Talk presented at the Jornada: Banda Desenhada em Português/ Bande Dessinée en Portugais, Maison des Sciences de l’Homme, Clermont-Ferrand (France), 28 October, 2021, organized by Hugo Almeida & Ana Matilde Sousa in collaboration with the Sá Miranda Chair (Camões Institute) at the University of Clermont Auvergne.

• With Joana Tomé. “Fanzine como espaço de resistência política”. Panel ans roundtable moderated by Isabeli Santiago proposed for the Festival Feminista do Porto, Contrabando, Porto, 11 March, 2017.